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THE SPECIALS
ska, punk and politics
Unfairly labelled right wing for the songs below which expressed the countries feelings during the last recession
Do Nothing
An achingly sweet melody listlessly recounts the gloom of the new Thatcher era.
Dawning of a New Era
The Specials changed the face of music with the 2-Tone revolution, and on this song Terry Hall staked his claim as the voice of disaffected youth.
Do the Dog
The band?fs opening song sets forth their punk-ska fusion and anti-racist manifesto.
Gangsters
A homage to the ska great Prince Buster, this debut single put them on the map.
Rat Race
A sneering attack on the complacency and political posturing of affluent students.
Monkey Man
Dedicated "to all the bouncers", this is a storming version of Toots and the Maytals?f ska/reggae anthem.
Blank Expression
Hall?fs dissolute vocal reflects the vacant expressions of the people he meets on an edgy walk through Coventry.
Concrete Jungle
A chilling slice of social realism from Roddy Byers.
Friday Night, Saturday Morning
The false hopes of living for the weekend, working all week for it and staggering home disappointed.
A Message to You Rudy
Dandy Livingstone?fs rocksteady favourite reaches a new audience, borne along on the fabulous interplay of trombone and trumpet.
Nite Klub
A sneering attack on scenesters, or whatever they were called back in 1979.
Too Much Too Young
Who could have predicted that you could top the charts with a vicious anthem about teenage pregnancies?
Racial Hatred
The band was also pillard for attracting Skinheads who were intent on causing racial hatred and anarchy throughout Britain.
What was most confusing is that the band had 2 black singers/musicians.
Still confused.
 
True innovators of the punk era, the Specials began the British ska revival craze, combining the highly danceable ska and rocksteady beat with punk's energy and attitude, and taking on a more focused and informed political and social stance than their predecessors and peers.
The band was originally formed in Coventry, in 1977, as the Coventry Automatics and later the Special A.K.A. by songwriter/keyboardist Jerry Dammers, with Terry Hall (vocals), Lynval Golding (guitar, vocals), Neville Staples (vocals, percussion), Roddy Radiation (guitar), Sir Horace Gentleman (bass), and John Bradbury (drums). An opening slot for the Clash stirred up interest with the major labels, but Dammers instead opted to start his own 2-Tone label, named for its multiracial agenda and after the two-tone tonic suits favored by the like-minded mods of the '60s. The Dammers-designed logos, based in '60s pop art with black and white checks, gave the label an instantly identifiable look. Dammers' eye for detail and authenticity also led to the band adopting '60s-period rude-boy outfits (porkpie hats, tonic and mohair suits, and loafers). The band released the "Gangsters" single, which reached the U.K. Top Ten. Soon after, hordes of bands and fans followed in the same tradition, and the movement was in full swing. Over the next several months, 2-Tone enjoyed hits by similar-sounding bands, such as Madness, the (English) Beat, and the Selecter. Late in 1979, the band released its landmark self-titled debut album, produced by Elvis Costello. They followed with several 2-Tone package tours and a live EP, Too Much Too Young (confusingly credited to Special A.K.A.). The title track, a pro-contraception song, was banned by the BBC but reached the number one spot in the U.K. At this time, the band switched musical directions, releasing album number two, More Specials, with a new neo-lounge persona. Signs indicated that the movement was fading and 2-Tone began to experience financial troubles. Nevertheless, a film documenting the 2-Tone package tours, Dance Craze, as well as its companion album, saw considerable success. The Specials released the timely "Ghost Town" single in 1981 amid race-related unemployment riots in Brixton and Liverpool. The single jumped to number one, but the band was falling apart. Hall, Staples, and Golding left to form Fun Boy Three, leaving the band without its trademark voice. Dammers held on, reverting back to the old name, Special A.K.A., and enlisted a new vocalist, Stan Campbell. After several years, they returned with In the Studio in 1984. They managed a few hits with "Racist Friend" and "Free Nelson Mandella," but the album stiffed. The band's final single, "What I Like Most About You Is Your Girlfriend," failed to break the British Top 40. Dammers dissolved the unit, pursuing political causes such as Artists Against Apartheid.

Shortly after the official breakup, various members of the band joined up with other bandless ska revivalists (English Beat, etc.) to form a touring unit named Special Beat. By the mid-'90s, in response to the third wave ska revival, a Dammers-less version of the Specials reappeared with a series of shameful cash-in albums: Today's Specials (1996,) Guilty Til Proved Innocent! (1998,) and Conquering Ruler (2002.) ~ Chris Woodstra, All Music Guide

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